There’s no shortage of dire warnings about the dangers of artificial intelligence these days. Modern prophets, such as late physicist Stephen Hawking and investor Elon Musk, foretell the imminent decline of humanity. With the advent of artificial general intelligence and self-designed intelligent programs, new and more intelligent AI will appear, rapidly creating ever smarter machines that will, eventually, surpass us.
Virtual Personal Assistants – such as Bixby, Alexa (Amazon), Siri (Apple) and Cortana (Microsoft) – are at the cutting edge of marketable artificial intelligence (AI). AI refers to using technological systems to perform tasks that people usually would.
Despite their names, artificial intelligence technologies and their component systems, such as artificial neural networks, don’t have much to do with real brain science. I’m a professor of bioengineering and neurosciences interested in understanding how the brain works as a system – and how we can use that knowledge to design and engineer new machine learning models.
As a cryptocurrency, there is no physical form that gives Bitcoin value, so it is impossible to perform traditional fundamental analysis of the currency. Consequently, many investors track the so-called technical trading indicators (geometric patterns constructed from historical prices and trading volumes) in order to understand and predict Bitcoin’s future movement.
A common question as these intelligent technologies infiltrate various industries is how work and labor will be affected. In this case, who – or what – will do journalism in this AI-enhanced and automated world, and how will they do it?
When artificial intelligence systems start getting creative, they can create great things – and scary ones. Take, for instance, an AI program that let web users compose music along with a virtual Johann Sebastian Bach by entering notes into a program that generates Bach-like harmonies to match them.
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